The audience installation determined by their critical viewpoints, were seated in triangulated spaces around the central control tower, as seen in the above drawing and photo. The performance was an introduction to the 'false pretender' in 'live thought'. Emerging from a single point drawn on the wall, the pretender took on the form of a line drawn from that point. Thought had now entered the space of the audience: evolving from one line into planes of dimensionality . Layered and structered as a spatial dimensionality of thought by means of these multiple points in the audience, the imaginary construction reflected back to points in many other forms onto the wall and continued into further lines of thought.

 

, layered and and kk